Collapsing Deities, 2024
Collapsing Deities, 2024

Performance at Space52, Athens for Cycloptics. Duration ten minutes. Photo: Adam Papaphilippopoulos.

Felled, yet unfurling, 2024
Felled, yet unfurling, 2024

Peformance at St Mary's Priory Abergavenny. Commissioned by Art + Christianity. Photos by Adam Papaphilippopoulos.

Earth Rite, 2024
Earth Rite, 2024

Performance at St Pancras Church, London for Ritual/ Bodies, curated by Kate Pickering. Duration one hour. Photo: Adam Papaphilippopoulos.

Messenger's Lament, 2023
Messenger's Lament, 2023

Performance in Walsingham for ‘In Search of the Miraculous’, convened and curated by Anne Bean. Photo by Adam Papaphilippopoulos.

Too Many Marys, 2022
Too Many Marys, 2022

Performance for Abbas Zahedi, Waiting With {Sonic Support}, 2022. Open Mic performances at Frieze London 12-16 October 2022. © Abbas Zahedi. Co-commissioned by Frieze and Forma for the Frieze Artist Award 2022. Courtesy Frieze, Forma and Belmacz. Photo: Forma.

Approaching Viriditas (Act III), 2018
Approaching Viriditas (Act III), 2018

Performance with hospital curtain, dyed wheat and disposable gloves. Created at Chiswick House and Gardens, for Parlour Geometrique. Photo by Caroline Gervay.

Approaching Viriditas (Prologue), 2018
Approaching Viriditas (Prologue), 2018

Performance for Bòlit, Centre d'Art Contemporani, Girona; with pomegranate, disposable gloves, anointing oil and contact lens case. Duration one hour. Photo: Isil Sol Vil.

March Towards the End of the World III, 2017
March Towards the End of the World III, 2017

Performance for Festal Favours, curated by Clare Carswell. Photo by Stu Allsop.

 Covenant of Salt, 2017
Covenant of Salt, 2017

Performance at Turner Contemporary, Margate for Venice Agendas: The Contract. Photo by Chelsey Browne.

Homage to the Pythia, 2016
Homage to the Pythia, 2016

Performance for Parlour Arboretum, Harcourt Arboretum, Oxfordshire. Duration two hours. Photograph by Dean Hart.

A Song of Ascents, 2016
A Song of Ascents, 2016

Performance for FEM 16 and Bòlit, Centre d'Art Contemporani, Girona. Duration 20 minutes. Photograph by Denys Blacker. Please click here for video documentation.

A Miracle, Performed, 2016
A Miracle, Performed, 2016

Performance for Chat Roulette. Duration 2 hours.

 Knotted Mass II, 2016
Knotted Mass II, 2016

Performance with 35mm slides depicting mythical, historical and pop-cultural figures whose hair is vital to their narrative. These images are circulated among the audience along with whispered rumours about their backstories. Photo by Huren Marsh.

 Knotted Mass, 2015
Knotted Mass, 2015

Performance with slide projection at DKUK, London. Photo by Alex Rimmer.

 Behind the Curtain, 2015
Behind the Curtain, 2015

Exhibition with performances at Tintype, London. For more images click here. Photos by Cameron Leadbetter

 Cup of Salvation II, 2014
Cup of Salvation II, 2014

Performance at Pump House Gallery, London for You cannot step twice into the same river. Photo by Eoin Carey.

 Collapsing Deities, 2011-14
Collapsing Deities, 2011-14

Performance, duration ten minutes. Photograph from AFTER/HOURS/DROP/BOX, Spike Island. For video documentation please click here.

 Towards the ecstasy of May, 2013
Towards the ecstasy of May, 2013

Performance at Dorchester Abbey, Oxfordshire as part of Lore of the Land. Photo by Tila Rodriguez-Past.

 A portion of your strength, 2013
A portion of your strength, 2013

Performance for Totemic Festival at the Freud Museum, London. Photograph by Adam Papaphilipppopoulos.

Our Lady of Peckham, 2013
Our Lady of Peckham, 2013

Performance for Art Licks Weekend 2013, Stop, Look Listen! Photo by Limner Studio © Art Licks.

 PROPS FOR THE SKY, 2012
PROPS FOR THE SKY, 2012

A performance exhibition taking place over three days at SHIFT., London. Photo by Adam Papaphilippopoulos. For video documentation please click here.

March Towards the End of the World I, 2012
March Towards the End of the World I, 2012

A participatory procession at LUPA, London, loosely based on the Book of Revelation.

Our Lady of SUPERNORMAL, 2012
Our Lady of SUPERNORMAL, 2012

An itinerant performance around Brazier's Park as part of SUPERNORMAL festival. Photograph by Adam Papaphilippopoulos.

 Small Gestures for the Ascension, 2011
Small Gestures for the Ascension, 2011

Performance for Soundings, workinprogress at St George's Anglican Chapel, Venice. Photo by Frances Scott.

 It Was Gravity Which Pulled Us Down, 2009
It Was Gravity Which Pulled Us Down, 2009

One-hour performance at Christ Church Spitalfields, London. Photo by Erin Gutierrez.

Collapsing Deities, 2024
Felled, yet unfurling, 2024
Earth Rite, 2024
Messenger's Lament, 2023
Too Many Marys, 2022
Approaching Viriditas (Act III), 2018
Approaching Viriditas (Prologue), 2018
March Towards the End of the World III, 2017
 Covenant of Salt, 2017
Homage to the Pythia, 2016
A Song of Ascents, 2016
A Miracle, Performed, 2016
 Knotted Mass II, 2016
 Knotted Mass, 2015
 Behind the Curtain, 2015
 Cup of Salvation II, 2014
 Collapsing Deities, 2011-14
 Towards the ecstasy of May, 2013
 A portion of your strength, 2013
Our Lady of Peckham, 2013
 PROPS FOR THE SKY, 2012
March Towards the End of the World I, 2012
Our Lady of SUPERNORMAL, 2012
 Small Gestures for the Ascension, 2011
 It Was Gravity Which Pulled Us Down, 2009
Collapsing Deities, 2024

Performance at Space52, Athens for Cycloptics. Duration ten minutes. Photo: Adam Papaphilippopoulos.

Felled, yet unfurling, 2024

Peformance at St Mary's Priory Abergavenny. Commissioned by Art + Christianity. Photos by Adam Papaphilippopoulos.

Earth Rite, 2024

Performance at St Pancras Church, London for Ritual/ Bodies, curated by Kate Pickering. Duration one hour. Photo: Adam Papaphilippopoulos.

Messenger's Lament, 2023

Performance in Walsingham for ‘In Search of the Miraculous’, convened and curated by Anne Bean. Photo by Adam Papaphilippopoulos.

Too Many Marys, 2022

Performance for Abbas Zahedi, Waiting With {Sonic Support}, 2022. Open Mic performances at Frieze London 12-16 October 2022. © Abbas Zahedi. Co-commissioned by Frieze and Forma for the Frieze Artist Award 2022. Courtesy Frieze, Forma and Belmacz. Photo: Forma.

Approaching Viriditas (Act III), 2018

Performance with hospital curtain, dyed wheat and disposable gloves. Created at Chiswick House and Gardens, for Parlour Geometrique. Photo by Caroline Gervay.

Approaching Viriditas (Prologue), 2018

Performance for Bòlit, Centre d'Art Contemporani, Girona; with pomegranate, disposable gloves, anointing oil and contact lens case. Duration one hour. Photo: Isil Sol Vil.

March Towards the End of the World III, 2017

Performance for Festal Favours, curated by Clare Carswell. Photo by Stu Allsop.

Covenant of Salt, 2017

Performance at Turner Contemporary, Margate for Venice Agendas: The Contract. Photo by Chelsey Browne.

Homage to the Pythia, 2016

Performance for Parlour Arboretum, Harcourt Arboretum, Oxfordshire. Duration two hours. Photograph by Dean Hart.

A Song of Ascents, 2016

Performance for FEM 16 and Bòlit, Centre d'Art Contemporani, Girona. Duration 20 minutes. Photograph by Denys Blacker. Please click here for video documentation.

A Miracle, Performed, 2016

Performance for Chat Roulette. Duration 2 hours.

Knotted Mass II, 2016

Performance with 35mm slides depicting mythical, historical and pop-cultural figures whose hair is vital to their narrative. These images are circulated among the audience along with whispered rumours about their backstories. Photo by Huren Marsh.

Knotted Mass, 2015

Performance with slide projection at DKUK, London. Photo by Alex Rimmer.

Behind the Curtain, 2015

Exhibition with performances at Tintype, London. For more images click here. Photos by Cameron Leadbetter

Cup of Salvation II, 2014

Performance at Pump House Gallery, London for You cannot step twice into the same river. Photo by Eoin Carey.

Collapsing Deities, 2011-14

Performance, duration ten minutes. Photograph from AFTER/HOURS/DROP/BOX, Spike Island. For video documentation please click here.

Towards the ecstasy of May, 2013

Performance at Dorchester Abbey, Oxfordshire as part of Lore of the Land. Photo by Tila Rodriguez-Past.

A portion of your strength, 2013

Performance for Totemic Festival at the Freud Museum, London. Photograph by Adam Papaphilipppopoulos.

Our Lady of Peckham, 2013

Performance for Art Licks Weekend 2013, Stop, Look Listen! Photo by Limner Studio © Art Licks.

PROPS FOR THE SKY, 2012

A performance exhibition taking place over three days at SHIFT., London. Photo by Adam Papaphilippopoulos. For video documentation please click here.

March Towards the End of the World I, 2012

A participatory procession at LUPA, London, loosely based on the Book of Revelation.

Our Lady of SUPERNORMAL, 2012

An itinerant performance around Brazier's Park as part of SUPERNORMAL festival. Photograph by Adam Papaphilippopoulos.

Small Gestures for the Ascension, 2011

Performance for Soundings, workinprogress at St George's Anglican Chapel, Venice. Photo by Frances Scott.

It Was Gravity Which Pulled Us Down, 2009

One-hour performance at Christ Church Spitalfields, London. Photo by Erin Gutierrez.

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